My artistic journey began in 2020, in a simple and spontaneous way, without any academic background. I started with acrylic paints on canvas, but soon pushed beyond, driven by the desire to experiment. Every new material I discovered became a possibility: modeling pastes, sand, gravel, powders, rock fragments. Over time, I learned to create my own blends from scratch, mixing glues, fillers, gels, resins, and natural elements. This is how matter itself became the core of my research.

My work is a process of continuous growth. There wasn't a single moment that changed my path — it has always been a constant curiosity, the urge to try and try again, even inventing the tools with which I spread and shape my pastes. Every gesture, every movement of the body becomes an integral part of the work. It is a physical language, a dialogue between me and the surface, gestures that leave their mark in the material.

I love feeding on suggestions: places, encounters, online explorations, artists discovered by chance. It's not about copying, but about reworking, transforming what I see into something that becomes mine. Today, my experimentation has expanded to dialogue with technology: I create textures with artificial intelligence, transform them into 3D-printed sheets, and then cover them with my handmade blends. It is a meeting point between craftsmanship and innovation, between the physicality of gesture and the infinite possibilities of the digital.

What excites me, however, is not just the final result — it is the entire creative cycle. From choosing the wood at the carpenter's shop, to preparing the blends, to waiting through long drying times, then spraying color with a compressor and spray gun, and finally finishing with epoxy resin. Every phase is a ritual, every passage has its own magic.

For me, art is freedom, discovery, a continuous life lesson. You know where you begin, but you don't know where it will take you. This journey has brought me closer and closer to a sculptural approach: sculpting the material, not just painting it, to reveal what lies "behind the surface."

Many of my works are born precisely from this idea: that behind every layer, every mask, every armor we build to protect ourselves, there is an authentic beauty that deserves to emerge. My art is an invitation to embrace this — to abandon superstructures and show ourselves for who we truly are. Imperfect, unique, alive.